Chaz Ebert recounts her Chaz Ebert recounts her experience at the 2025 Cannes Film Festival, from cell phone usage to panels to chats with critics and correspondents also attending the fest. Subjects interviewed include composer Baptiste
Tom Quinn and Neon have accomplished something that even Miramax couldn’t in its prime of the late ‘80s and early ‘90s, when they were snapping up Palme d’Or winners like “Pelle the Conqueror,” “Farewell My
Jafar Panahi’s “It Was Just an Accident,” a Death and the Maiden–like drama about a group of Iranians confronting a man whom they suspect was their torturer in prison, won the Palme d’Or on Saturday night at
Few movies at Cannes this year have been as aggressively confrontational as Nadav Lapid’s “Yes,” showing in the parallel festival Directors’ Fortnight. “Nothing in this film was reasonable,” Lapid said, introducing it on Thursday. “Nothing
The following table of contents contains RogerEbert.com’s coverage of the 2025 Cannes Film Festival, which includes full reviews and festival dispatches from Managing Editor Brian Tallerico, Associate Editor Robert Daniels, and contributors Isaac Feldberg, Ben Kenigsberg,