
Skynet vs. Vault-Tec: Strange Headcanon #3
Howdy, folks! At the time of this writing, the first episode of Fallout season 2 has debuted on Amazon Prime. All of us here at Casa de Sector M are into Fallout in some way

Howdy, folks! At the time of this writing, the first episode of Fallout season 2 has debuted on Amazon Prime. All of us here at Casa de Sector M are into Fallout in some way

What feels like the longest awards season ever will come to an end this Sunday, March 15th, when the 98th Academy Awards are announced. Like we did last year, we asked the editors of RogerEbert.com

Fargo has been one of those all-timer films that has been in my blind spot until most recently. I’ve seen The Coen Brothers’ other standouts from their run, your Big Lebowski, your O’ Brother Where

My Fellow Sectorians, What a difference a year makes. Those were the words I had hoped to open this year’s State of the Sector address, and I’m glad to be saying them now in earnest.

“Rooster” could be considered the third entry in what I’ll refer to as Bill Lawrence’s “Likable White Guy Failing Upward” Trilogy, assuming, of course, that he stops at three. The first was “Ted Lasso,” which

28 Years Later was one of my biggest surprises of 2025, blowing me away upon first watch and landing itself in the top 5 in my year end list. I went in expecting a high-energy,

For my first regular blog post of 2026, I wanted to do something a little different than I have in the past. The Sector M blog has seen a lot of increased traffic over the

10 NEW TO NETFLIX “The Black Phone““Blue Moon““Colossal““East of Wall““Ema““Fall““How to Train Your Dragon““The Iron Claw““Mississippi Grind““Triangle of Sadness“ 12 NEW TO BLU-RAY/DVD “3:10 to Yuma” (Criterion) Often undervalued when it comes to discussion of

Emerald Fennell, now entering her third feature film, is seemingly becoming one of those directors that you either love or you hate. I really enjoyed her debut film, Promising Young Woman, for its dark humor

★★★★ To weep or not to weep? It’s not so much a question as it is an inevitability in Chloé Zhao’s profoundly moving adaptation of Hamnet. Drawn from the equally affecting novel by Maggie O’Farrell,