
Bring Her Back -REVIEW & COCKTAIL – The Martini Shot
“Yeah, let me get a…A24 horror movie.” “How original.” “And with a plot that’s a metaphor for grief.” “Daring today, aren’t we?” I kid, but you gotta admit, it feels like we’ve gotten a boat

“Yeah, let me get a…A24 horror movie.” “How original.” “And with a plot that’s a metaphor for grief.” “Daring today, aren’t we?” I kid, but you gotta admit, it feels like we’ve gotten a boat

More of your favorite artists die as you get older. These days we usually get the news via social media, which still makes for a nice, democratic forum for public mourning. Sometimes the news gets

For the longest time, we’ve gotten used to zombies being one of two types: The shambolic, brain-hungry walkers of “Night of the Living Dead” or the lightning-fast runners of “28 Days Later.” But Syfy’s new

Sly and the Family Stone were most recently front and center in my thoughts thanks to Questlove’s excellent documentary, “SLY LIVES! (a.k.a The Burden of Black Genius).” I reviewed the film for The Boston Globe
Setuju banget! Menebak angka itu memang bisa seru banget—rasanya mirip main puzzle yang ngasah insting, logika, dan kadang juga intuisi. Bayangin aja: Kayak nyusun potongan teka-tekiSetiap angka punya kemungkinan, dan kamu mencoba cari pola di

Chaz Ebert recounts her Chaz Ebert recounts her experience at the 2025 Cannes Film Festival, from cell phone usage to panels to chats with critics and correspondents also attending the fest. Subjects interviewed include composer Baptiste

★★★ There’s a blink and you’ll miss it cameo early in the new Paddington film, third in the series and first to return the beloved bear to his native Peru. The fleeting shot sees a

For Kevin Smith, making “Dogma” was the ultimate expression of his own waning religiosity, filtered through the verbose, irreverent, and crude humor that made him one of the most revered filmmakers of the ’90s indie

★★★ There’s little in Wicked, Jon M. Chu’s unjustifiably long adaptation of the eponymous musical’s first act, likely to convert the unconverted. It’s a fitfully spellbinding affair but not quite transformationally bewitching. Those who love

Nina Conti is a real-life ventriloquist and comedian. In her first narrative feature, she plays a woman who spends almost all of the film inside the kind of monkey costume a team mascot might wear.