
Soccer: More Than a Game
Howdy, folks! Earlier this week, something happened that’s only come around in my writing career a precious few times: I got to see a brand-new exhibit I worked on being enjoyed by the public. Specifically,

Howdy, folks! Earlier this week, something happened that’s only come around in my writing career a precious few times: I got to see a brand-new exhibit I worked on being enjoyed by the public. Specifically,

A line I keep close to my heart, and one I’ve been asking talent on red carpets and junkets, revolves around Roger’s famous words that movies are empathy machines. When I’ve asked this question, I’m

Nowadays, horror movies can’t be touted as anything less than the scariest thing you’ve ever seen. We saw it with movies like Longlegs and Hereditary, and that just sets people up to have some very

In the first two seasons of “The Comeback,” sitcom actress Valerie Cherish was defined by her almost panicked need for publicity. In season one, which debuted in 2005, she was thirsty to reignite her career

It’s that time of year again to pretend like the Oscars actually matter. I’m not complaining; this is practically my Super Bowl. So, if you’re planning on tuning in to the Academy Awards this year,

Howdy, folks! At the time of this writing, the first episode of Fallout season 2 has debuted on Amazon Prime. All of us here at Casa de Sector M are into Fallout in some way

What feels like the longest awards season ever will come to an end this Sunday, March 15th, when the 98th Academy Awards are announced. Like we did last year, we asked the editors of RogerEbert.com

Fargo has been one of those all-timer films that has been in my blind spot until most recently. I’ve seen The Coen Brothers’ other standouts from their run, your Big Lebowski, your O’ Brother Where

My Fellow Sectorians, What a difference a year makes. Those were the words I had hoped to open this year’s State of the Sector address, and I’m glad to be saying them now in earnest.

“Rooster” could be considered the third entry in what I’ll refer to as Bill Lawrence’s “Likable White Guy Failing Upward” Trilogy, assuming, of course, that he stops at three. The first was “Ted Lasso,” which