<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Week &#8211; Gentong Film LK21</title>
	<atom:link href="https://gentongfilm.com/tag/week/feed/" rel="self" type="application/rss+xml" />
	<link>https://gentongfilm.com</link>
	<description>Gentong Film LK21</description>
	<lastBuildDate>Thu, 18 Jun 2026 15:27:57 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	
	<item>
		<title>Black Writers Week 2026: Table of Contents</title>
		<link>https://gentongfilm.com/black-writers-week-2026-table-of-contents/</link>
					<comments>https://gentongfilm.com/black-writers-week-2026-table-of-contents/#respond</comments>
		
		<dc:creator><![CDATA[Film LK21]]></dc:creator>
		<pubDate>Thu, 18 Jun 2026 15:27:57 +0000</pubDate>
				<category><![CDATA[Review Movie]]></category>
		<category><![CDATA[Black]]></category>
		<category><![CDATA[Contents]]></category>
		<category><![CDATA[Table]]></category>
		<category><![CDATA[Week]]></category>
		<category><![CDATA[Writers]]></category>
		<guid isPermaLink="false">https://gentongfilm.com/black-writers-week-2026-table-of-contents/</guid>

					<description><![CDATA[Intro to Black Writers Week 2026 by Robert Daniels FEATURES 250 Years Later and Blacks Are Still Politically and Racially Enslaved by Carla Renata From My Block to Wakanda: Movies and Black Travel by Reginald Ponder To Make People Aware of Something is Great: A Conversation with Maya Cade by Robert Daniels Can the New [&#8230;]]]></description>
										<content:encoded><![CDATA[<p class="has-medium-font-size">Intro to Black Writers Week 2026 by Robert Daniels</p>
<p class="has-large-font-size">FEATURES</p>
<p>250 Years Later and Blacks Are Still Politically and Racially Enslaved by Carla Renata</p>
<p>From My Block to Wakanda: Movies and Black Travel by Reginald Ponder</p>
<p>To Make People Aware of Something is Great: A Conversation with Maya Cade by Robert Daniels</p>
<p>Can the New Anti-Heroine Heal My Inner Black Girl? by Lyvie Scott</p>
<p>Through My Lens: The Accidental Archivist of ‘90s Howard University by Lance R. Williams</p>
<p>I Am Telling You: Dreamgirls at 20 by Odie Henderson</p>
<p>Film Criticism’s Crisis in the Letterboxd Era by Brandon Lewis</p>
<p>Cinematic Albums of the 2020s: Music That Feels Like a Movie by Cortlyn Kelly</p>
<p>What the 2025 Federal Arts Cuts Mean for Documentary Filmmaking by Ife Olatunji</p>
<p>J. Christopher Hamilton on Culture, Capital, and Creative Leverage by Sonia Evans</p>
<p>The Legend of Us: Expanding the Chosen One by Sherin Nicole</p>
<p>A Father Learning Beside His Children: What Jiu-Jitsu Taught Me About Fatherhood by Andre Hammel</p>
<p>The Urban Environment: A Conversation with Tatsu Aoki, Avant-Garde Filmmaker by Danielle Momoh</p>
<p>What is the State of the Black Movie Star? by David Moses</p>
<p>Radical Whimsy: Exploring the Creative Mind of Boots Riley by Brandon Towns</p>
<p>When Sci-fi Was Horny: &#8220;Logan&#8217;s Run&#8221; at 50 by Brandon David Wilson</p>
<figure class="wp-block-image size-full"></figure>
<p class="has-large-font-size">REVIEWS</p>
<p>The Death of Robin Hood by Brandon David Wilson</p>
<p>Captivating Third Season of “House of the Dragon” Is More Complex Than Ever by Kaiya Shunyata</p>
<p>Toy Story 5 by Robert Daniels</p>
<p>Never Change! by Craig D. Lindsey</p>
<p>Paramount+’s “The Agency” Expands Its Scope With An Exhilarating Second Season by Kaiya Shunyata</p>
<p>Leviticus by Cortlyn Kelly</p>
</p>
<p></p>
<h2>PakarPBN</h2>
<p></p>
<p>A Private Blog Network (PBN) is a collection of websites that are controlled by a single individual or organization and used primarily to build backlinks to a “money site” in order to influence its ranking in search engines such as Google. The core idea behind a PBN is based on the importance of backlinks in Google’s ranking algorithm. Since Google views backlinks as signals of authority and trust, some website owners attempt to artificially create these signals through a controlled network of sites.</p>
<p>In a typical PBN setup, the owner acquires expired or aged domains that already have existing authority, backlinks, and history. These domains are rebuilt with new content and hosted separately, often using different IP addresses, hosting providers, themes, and ownership details to make them appear unrelated. Within the content published on these sites, links are strategically placed that point to the main website the owner wants to rank higher. By doing this, the owner attempts to pass link equity (also known as “link juice”) from the PBN sites to the target website.</p>
<p>The purpose of a PBN is to give the impression that the target website is naturally earning links from multiple independent sources. If done effectively, this can temporarily improve keyword rankings, increase organic visibility, and drive more traffic from search results.</p>
<p><a href="https://pakarpbn.com">Jasa Backlink</a><br />
<br /><a href="https://drivenime.com">Download Anime Batch</a></p>
]]></content:encoded>
					
					<wfw:commentRss>https://gentongfilm.com/black-writers-week-2026-table-of-contents/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Intro to Our Juneteenth Edition of Black Writers Week 2025 &#124; Black Writers Week</title>
		<link>https://gentongfilm.com/intro-to-our-juneteenth-edition-of-black-writers-week-2025-black-writers-week/</link>
					<comments>https://gentongfilm.com/intro-to-our-juneteenth-edition-of-black-writers-week-2025-black-writers-week/#respond</comments>
		
		<dc:creator><![CDATA[Film LK21]]></dc:creator>
		<pubDate>Thu, 19 Jun 2025 22:40:05 +0000</pubDate>
				<category><![CDATA[Review Movie]]></category>
		<category><![CDATA[Black]]></category>
		<category><![CDATA[Edition]]></category>
		<category><![CDATA[Intro]]></category>
		<category><![CDATA[Juneteenth]]></category>
		<category><![CDATA[Week]]></category>
		<category><![CDATA[Writers]]></category>
		<guid isPermaLink="false">https://gentongfilm.com/intro-to-our-juneteenth-edition-of-black-writers-week-2025-black-writers-week/</guid>

					<description><![CDATA[Today, we celebrate Juneteenth, a national holiday commemorating the end of slavery for African Americans. Although President Abraham Lincoln issued the Emancipation Proclamation on September 22, 1862, with it to take effect in January of 1863, it wasn’t until June 19, 1865—two-and-a-half years later—that the news reached the Black people of Galveston, Texas. It took [&#8230;]]]></description>
										<content:encoded><![CDATA[<p> <br />
</p>
<div>
<p>Today, we celebrate Juneteenth, a national holiday commemorating the end of slavery for African Americans. Although President Abraham Lincoln issued the Emancipation Proclamation on September 22, 1862, with it to take effect in January of 1863, it wasn’t until June 19, 1865—two-and-a-half years later—that the news reached the Black people of Galveston, Texas. It took a Civil War and a brigade of soldiers to deliver the news. </p>
<p>Ms. Opal Lee, a retired teacher, is the Grandmother of Juneteenth. She was at the forefront of a movement to make Juneteenth a national holiday. For years, she convened marches of two-and-a-half miles in states all across America to signify the two-and-a-half years it took for the news to reach Texas. And finally, in June 2021, when she was 94 years old, she had the pleasure of seeing her dream come true.  She was standing at the side of former President Joe Biden in the White House when he signed the bill into law, making Juneteenth a federal holiday.   </p>
<p>Today, despite the executive orders outlawing DEI—diversity, equity, and inclusion—by the current administration, we will not go backwards. So once again, as we have done since 2021, we will turn our site over to Black writers and Black Film Critics to share their reviews, articles, and observations about movies and life itself.</p>
<p>On this day, we are providing film reviews written by Robert Daniels, Carla Renata, Peyton Robinson, Cortlyn Kelly, Jourdain Searles, Travis Hopson, Craig D. Lindsey, Sherin Nicole, Jourdain Searles, and Brandon Wilson. We have television reviews penned by Rendy Jones, Sherin Nicole, and Kaiya Shunyata. </p>
<p>We are fortunate to share an article by Pulitzer Prize finalist Soraya Nadia McDonald. Odie Henderson returns to the site with a piece celebrating the 50th anniversary of “Cooley High” and another toasting the creative and romantic partnership shared by Ossie Davis and Ruby Dee. Danielle Scruggs compares and contrasts the reception of “Anora” and “Zola.” Sonia Evans interviews MyNew Technologies head Myrin New about his new tech masterclass. Brenda Butler outlines the history of Juneteenth for us in more detail. Mack Bates writes about Morgan Freeman, and there is plenty more to explore. </p>
<p>So join us in this important celebration. Happy Juneteenth!</p>
<p><strong><span style="text-decoration: underline;">TABLE OF CONTENTS</span></strong></p>
<p><strong><span style="text-decoration: underline;">FILM/MINI-SERIES REVIEWS</span></strong></p>
<p>28 Years Later by Robert Daniels</p>
<p>Bride Hard by Carla Renata</p>
<p>Elio by Robert Daniels (upcoming)</p>
<p>Everything’s Going to Be Great by Cortlyn Kelly</p>
<p>Familiar Touch by Jourdain Searles</p>
<p>Found Footage: The Making of the Patterson Project by Travis Hopson</p>
<p>Hell Motel by Rendy Jones</p>
<p>Marlee Matlin: Not Alone Anymore by Peyton Robinson</p>
<p>The Queen of My Dreams by Craig D. Lindsay</p>
<p>SALLY by Sherin Nicole</p>
<p>Will by Brandon David Wilson</p>
<p><strong><span style="text-decoration: underline;">FEATURES</span></strong></p>
<p>50 Years Later, Cooley High Is Still Alive by Odie Henderson</p>
<p>Blood and Soap Bubbles on the Surface of Netflix’s “The Waterfront” by Sherin Nicole</p>
<p>The Glorious Year of Morgan Freeman by Mack Bates</p>
<p>The Light She Left Behind: Ananda Lewis (1973-2025) by Sonia Evans</p>
<p>Myrin New’s Masterclass in Modern Black Tech Entrepreneurship by Sonia Evans</p>
<p>On the Renewed and Continuing Necessity of “Exterminate All the Brutes” by Soraya Nadia McDonald</p>
<p>Ossie Davis and Ruby Dee by Odie Henderson</p>
<p>The Rite to Save a Life by Sherin Nicole</p>
<p>Then They Will Learn: The Truth Behind Juneteenth by Brenda Butler</p>
<p>Transformative Third Season of HBO’s “The Gilded Age” Dazzles and Delights by Kaiya Shunyata</p>
<p>“Zola,” “Anora,” and the DEI Mirage by Danielle Scruggs</p>
</p></div>
<p><br />
<br /><a href="https://gentongfilm.com/">gentongfilm</a></p>
]]></content:encoded>
					
					<wfw:commentRss>https://gentongfilm.com/intro-to-our-juneteenth-edition-of-black-writers-week-2025-black-writers-week/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
	</channel>
</rss>
