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	<title>Table &#8211; Gentong Film LK21</title>
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	<item>
		<title>Siskel &#038; Ebert at 50: A Table of Contents &#124; Roger Ebert</title>
		<link>https://gentongfilm.com/siskel-ebert-at-50-a-table-of-contents-roger-ebert/</link>
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		<dc:creator><![CDATA[Film LK21]]></dc:creator>
		<pubDate>Sun, 23 Nov 2025 11:25:07 +0000</pubDate>
				<category><![CDATA[Review Movie]]></category>
		<category><![CDATA[Contents]]></category>
		<category><![CDATA[Ebert]]></category>
		<category><![CDATA[Roger]]></category>
		<category><![CDATA[Siskel]]></category>
		<category><![CDATA[Table]]></category>
		<guid isPermaLink="false">https://gentongfilm.com/siskel-ebert-at-50-a-table-of-contents-roger-ebert/</guid>

					<description><![CDATA[What follows are links to our tributes to “Siskel &#38; Ebert” on the 50th anniversary of their show. Check back for more coverage and don’t miss the event tomorrow, November 22, at the Claudia Cassidy Center or the Tuesday screening of “Lone Star.” The November 22nd event is A Celebration of 50 Years of Siskel [&#8230;]]]></description>
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<div id="post-264169">
<div class="entry-content text-lg sm:text-xl leading-7 sm:leading-8 mb-7 sm:mb-9">
<p>What follows are links to our tributes to “Siskel &amp; Ebert” on the 50th anniversary of their show. Check back for more coverage and don’t miss the event tomorrow, November 22, at the Claudia Cassidy Center or the Tuesday screening of “Lone Star.” </p>
<p>The November 22nd event is A Celebration of 50 Years of Siskel &amp; Ebert, including a conversation moderated by WTTW’s Geoffrey Baer with panelists Chaz Ebert, Marlene Siskel, Richard Roeper, Thea Flaum, and Michelle McKenzie-Voigt. Doors open at 1:15pm</p>
<p>Find more information and register for free here.</p>
<p>Making Dreams Feel Real: A Memory of Siskel &amp; Ebert by Peter Sobczynski</p>
<p>Their Show Cracked Open the World: Siskel &amp; Ebert Memories by Various</p>
<p>From Chicago to the World: On the 50th Anniversary of Siskel &amp; Ebert by Richard Roeper</p>
<p>A Duo Unlike Any Other: On the Fiftieth Anniversary of “Siskel &amp; Ebert” by Matt Fagerholm</p>
<p>Two Thumbs Up to Siskel &amp; Ebert’s 50th Anniversary: “Eve’s Bayou” Kicks Off Film Series by Chaz Ebert</p>
</p></div>
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		<title>TIFF 2025: Table of Contents</title>
		<link>https://gentongfilm.com/tiff-2025-table-of-contents/</link>
					<comments>https://gentongfilm.com/tiff-2025-table-of-contents/#respond</comments>
		
		<dc:creator><![CDATA[Film LK21]]></dc:creator>
		<pubDate>Sat, 13 Sep 2025 12:00:08 +0000</pubDate>
				<category><![CDATA[Review Movie]]></category>
		<category><![CDATA[Contents]]></category>
		<category><![CDATA[Table]]></category>
		<category><![CDATA[TIFF]]></category>
		<guid isPermaLink="false">https://gentongfilm.com/tiff-2025-table-of-contents/</guid>

					<description><![CDATA[A handy portal to all of our coverage from this year&#8217;s Toronto International Film Festival, organized by critic. BRIAN TALLERICO FULL REVIEWS: &#8220;Ballad of Small Player&#8220; &#8220;Blue Moon&#8220; &#8220;Good Fortune&#8220; &#8220;The Lost Bus&#8220; &#8220;The Man in My Basement&#8220; &#8220;Sentimental Value&#8220; “The Smashing Machine&#8220; &#8220;Steve&#8220; &#8220;Train Dreams&#8220; &#8220;The Ugly&#8220; CAPSULE REVIEWS: &#8220;&#38;Sons&#8220; &#8220;Bad Apples&#8220; &#8220;The Balloonists&#8220; [&#8230;]]]></description>
										<content:encoded><![CDATA[<p> <br />
</p>
<p>A handy portal to all of our coverage from this year&#8217;s Toronto International Film Festival, organized by critic.</p>
<p><strong><span style="text-decoration: underline">BRIAN TALLERICO</span></strong></p>
<p><strong>FULL REVIEWS:</strong></p>
<p>&#8220;Ballad of Small Player&#8220;</p>
<p>&#8220;Blue Moon&#8220;</p>
<p>&#8220;Good Fortune&#8220;</p>
<p>&#8220;The Lost Bus&#8220;</p>
<p>&#8220;The Man in My Basement&#8220;</p>
<p>&#8220;Sentimental Value&#8220;</p>
<p>“The Smashing Machine&#8220;</p>
<p>&#8220;Steve&#8220;</p>
<p>&#8220;Train Dreams&#8220;</p>
<p>&#8220;The Ugly&#8220;</p>
<figure class="wp-block-image size-full"></figure>
<p><strong>CAPSULE REVIEWS:</strong></p>
<p>&#8220;&amp;Sons&#8220;</p>
<p>&#8220;Bad Apples&#8220;</p>
<p>&#8220;The Balloonists&#8220;</p>
<p>&#8220;Canceled: The Paula Deen Story&#8220;</p>
<p>&#8220;Charlie Harper&#8220;</p>
<p>&#8220;The Christophers&#8220;</p>
<p>&#8220;Dead Man&#8217;s Wire&#8220;</p>
<p>&#8220;Dust Bunny&#8220;</p>
<p>&#8220;Eternity&#8220;</p>
<p>&#8220;The Fence&#8220;</p>
<p>&#8220;The Furious&#8220;</p>
<p>&#8220;Hamlet&#8220;</p>
<p>&#8220;Honey Bunch&#8220;</p>
<p>&#8220;I Swear&#8220;</p>
<p>&#8220;Love+War&#8220;</p>
<p>&#8220;Motor City&#8220;</p>
<figure class="wp-block-image size-full"><img loading="lazy" decoding="async" data-dominant-color="524e42" data-has-transparency="false" style="--dominant-color: #524e42" width="2560" height="1707" src="https://www.rogerebert.com/wp-content/uploads/2025/09/NoOtherChoice_still_HERO-scaled.jpg" alt="" class="wp-image-260914 not-transparent" /></figure>
<p>&#8220;No Other Choice&#8220;</p>
<p>&#8220;Normal&#8220;</p>
<p>&#8220;Obsession&#8220;</p>
<p>&#8220;Rental Family&#8220;</p>
<p>&#8220;Rose of Nevada&#8220;</p>
<p>&#8220;Sacrifice&#8220;</p>
<p>&#8220;The Tale of Silyan&#8220;</p>
<p>&#8220;Tuner&#8220;</p>
<p>&#8220;Unidentified&#8220;</p>
<p>&#8220;The Voice of Hind Rajab&#8220;</p>
<p>&#8220;Wake Up Dead Man&#8220;</p>
<p>&#8220;Wasteman&#8221; </p>
<p>&#8220;Whitetail&#8220;</p>
<p>&#8220;Winter of the Crow&#8220;</p>
<figure class="wp-block-image size-full"><img loading="lazy" decoding="async" data-dominant-color="8592a1" data-has-transparency="false" style="--dominant-color: #8592a1" width="1200" height="505" src="https://www.rogerebert.com/wp-content/uploads/2025/09/eleanor-the-great-2025.jpg" alt="" class="wp-image-261181 not-transparent" /></figure>
<p><strong><span style="text-decoration: underline">MONICA CASTILLO</span></strong></p>
<p>&#8220;Eleanor the Great&#8220;</p>
<p>&#8220;Nouvelle Vague&#8220;</p>
<figure class="wp-block-image size-full"><img decoding="async" data-dominant-color="4d3824" data-has-transparency="false" style="--dominant-color: #4d3824" loading="lazy" width="2560" height="1071" src="https://www.rogerebert.com/wp-content/uploads/2025/08/HEDDA_Still_01-scaled.jpg" alt="" class="wp-image-260405 not-transparent" /></figure>
<p><strong><span style="text-decoration: underline">MARYA E. GATES</span></strong></p>
<p>&#8220;The Choral&#8220;</p>
<p>&#8220;Christy&#8220;</p>
<p>&#8220;Couture&#8220;</p>
<p>&#8220;Hedda&#8220;</p>
<p>&#8220;Palestine 36&#8220;</p>
<p>&#8220;Peak Everything&#8220;</p>
<p>&#8220;Roofman&#8220;</p>
<p>&#8220;Steal Away&#8220;</p>
<figure class="wp-block-image size-full"><img decoding="async" data-dominant-color="4a552e" data-has-transparency="false" style="--dominant-color: #4a552e" loading="lazy" width="2560" height="1440" src="https://www.rogerebert.com/wp-content/uploads/2025/09/Mile-End-Kicks_Still_Hero-scaled.jpg" alt="" class="wp-image-261210 not-transparent" /></figure>
<p><strong><span style="text-decoration: underline">ZACHARY LEE</span></strong></p>
<p>&#8220;Adulthood&#8220;</p>
<p>&#8220;Maddie&#8217;s Secret&#8220;</p>
<p>&#8220;Mile End Kicks&#8220;</p>
<p>&#8220;Poetic License&#8220;</p>
<p><strong><span style="text-decoration: underline">JASON BAILEY</span></strong></p>
<p>&#8220;Fuze&#8220;</p>
<p>&#8220;Glenrothan&#8220;</p>
<p>&#8220;John Candy: I Like Me&#8220;</p>
<p>&#8220;The Last Viking&#8220;</p>
</p>
<p><br />
<br /><a href="https://gentongfilm.com/">gentongfilm</a></p>
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		<title>Cannes 2025: Table of Contents &#124; Festivals &#038; Awards</title>
		<link>https://gentongfilm.com/cannes-2025-table-of-contents-festivals-awards/</link>
					<comments>https://gentongfilm.com/cannes-2025-table-of-contents-festivals-awards/#respond</comments>
		
		<dc:creator><![CDATA[Film LK21]]></dc:creator>
		<pubDate>Wed, 21 May 2025 17:23:18 +0000</pubDate>
				<category><![CDATA[Review Movie]]></category>
		<category><![CDATA[Awards]]></category>
		<category><![CDATA[Cannes]]></category>
		<category><![CDATA[Contents]]></category>
		<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Table]]></category>
		<guid isPermaLink="false">https://gentongfilm.com/cannes-2025-table-of-contents-festivals-awards/</guid>

					<description><![CDATA[The following table of contents contains RogerEbert.com’s coverage of the 2025 Cannes Film Festival, which includes full reviews and festival dispatches from Managing Editor Brian Tallerico, Associate Editor Robert Daniels, and contributors Isaac Feldberg, Ben Kenigsberg, and others. You’ll also see video dispatches from Chaz Ebert, produced by Scott Dummler of Mint Media Works. Full Reviews [&#8230;]]]></description>
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</p>
<div>
<p><em>The following table of contents contains RogerEbert.com’s coverage of the 2025 Cannes Film Festival, which includes full reviews and festival dispatches from Managing Editor Brian Tallerico, Associate Editor Robert Daniels, and contributors Isaac Feldberg, Ben Kenigsberg, and others.</em> <em>You’ll also see video dispatches from Chaz Ebert, produced by Scott Dummler of Mint Media Works.</em></p>
<p class="has-large-font-size"><strong>Full Reviews</strong></p>
<p class="has-medium-font-size">Mission: Impossible – The Final Reckoning by Brian Tallerico</p>
<p>Eddington by Brian Tallerico</p>
<p>Bono: Stories of Surrender by Robert Daniels</p>
<p>The Phoenician Scheme by Brian Tallerico</p>
<p>Highest 2 Lowest by Robert Daniels</p>
<p>Dangerous Animals by Brian Tallerico</p>
<p class="has-large-font-size"><strong>Video Dispatches: Chaz Ebert</strong></p>
<p class="has-medium-font-size">Cannes 2025 Video #1: Robert De Niro Receives Honorary Palme d’Or and Advocates Protecting Democracy and Art</p>
<p class="has-medium-font-size">Cannes 2025 Video #2: Isaac Feldberg on Eddington, Chronology of Water, Left-Handed Girl, and More</p>
<p class="has-medium-font-size">Cannes 2025 Video #3: Robert Daniels on Urchin, Renoir, Die My Love, and More</p>
<p>Cannes 2025 Video #4: Brian Tallerico on Mission Impossible, The Phoenician Scheme, My Father’s Shadow, Secret Agent</p>
<p class="has-large-font-size"><strong>Dispatches: Brian Tallerico</strong></p>
<p class="has-medium-font-size">Cannes 2025: Sound of Falling, Reedland</p>
<p class="has-medium-font-size">Cannes 2025: The Plague, The Mysterious Gaze of the Flamingo, Amrum</p>
<p class="has-medium-font-size">Cannes 2025: Dossier 137, A Pale View of Hills, The Great Arch</p>
<p class="has-medium-font-size">Cannes 2025: Die My Love, Pillion, Miroirs No. 3</p>
<p>Cannes 2025: Nouvelle Vague, A Magnificent Life</p>
<p class="has-large-font-size"><strong>Dispatches: Ben Kenigsberg</strong></p>
<p>Cannes 2025: Leave One Day, The Gold Rush</p>
<p>Cannes 2025: Two Prosecutors, Adam’s Sake, Promised Sky</p>
<p>Cannes 2025: Left-Handed Girl, Sirât</p>
<p>Cannes 2025: The Little Sister, The Wave</p>
<p>Cannes 2025: A Useful Ghost, Arco</p>
<p>Cannes 2025: The Secret Agent, The Love That Remains, Magellan</p>
<p>Cannes 2025: Eagles of the Republic, Once Upon a Time in Gaza</p>
<p class="has-large-font-size"><strong>Dispatches: Robert Daniels</strong></p>
<p>Cannes 2025: My Father’s Shadow, Enzo, Dalloway</p>
<p>Cannes 2025: Renoir, Sons of the Neon Night, Orwell: 2+2=5</p>
<p>Cannes 2025: Exit 8, Eleanor the Great, Fuori</p>
<p class="has-large-font-size"><strong>Dispatches: Isaac Feldberg</strong></p>
<p>Cannes 2025: The Chronology of Water, Urchin</p>
<p class="has-large-font-size"><strong>Other Contributions</strong></p>
<p>Cannes Film Festival 2025: A Look at the Cannes Classics Program by Scott Dummler</p>
<p>Movies without Tariffs: A Preview of the 2025 Cannes Film Festival by Lisa Nesselson</p>
</p></div>
<p><br />
<br /><a href="https://gentongfilm.com/">gentongfilm</a></p>
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