Here’s a mystery for you: what does Netflix have against full theatrical releases. I mean after this film and Frankenstein; it’s ridiculous. Did a movie theater sleep with Ted Sarandos’ wife or something? I’m happy
I have well established, for those with even a pittance of interest, that my taste in horror is not aligned with the mainstream. I mostly don’t respond to allegory, and I need the images to
Saturday nights on King Street are a big deal for the Toronto International Film Festival. That’s where and when the biggest premieres of the festival usually drop, and there was no bigger release this year
“I owe a tremendous debt of gratitude to John Williams; without his music, Superman’s powers are greatly diminished. Believe me, if you try to fly without that theme, you go nowhere.” —Christopher Reeve The above
10 NEW TO NETFLIX “Beetlejuice Beetlejuice““Hanna““I’m Still Here““Paddington in Peru““Past Lives““Smile““Starship Troopers““The Sugarland Express““Train to Busan““The Wild Robot“ 11 NEW TO BLU-RAY/DVD “Better Man“ Much of the conversation around the unique Robbie Williams biopic in
Few movies at Cannes this year have been as aggressively confrontational as Nadav Lapid’s “Yes,” showing in the parallel festival Directors’ Fortnight. “Nothing in this film was reasonable,” Lapid said, introducing it on Thursday. “Nothing
Dracula. Frankenstein’s monster. Harvey Weinstein. Terrifying monsters from movies who have continued to find new ways to scare us since their inception long ago. And that’s exactly what 2025 is trying to do to ring