
Eddington – REVIEW & COCKTAIL – The Martini Shot
When you’re stressed out, what do you do? Some of us go to therapy, meditate, workout, drink, unfortunately. But not my man Ari Aster. When he’s stressed, he goes out and makes a movie about

When you’re stressed out, what do you do? Some of us go to therapy, meditate, workout, drink, unfortunately. But not my man Ari Aster. When he’s stressed, he goes out and makes a movie about

While yesterday’s dispatch also included a host of young women seeking solace in the supernatural, it’s a journey rife for exploration here at Fantasia: Witches, curses, folkloric tapestries woven through all the hormones, pain, and

Other than a few major changes, including the age of one beloved character and the occasional reflection of the culture battles facing the country today, the reboot of “King of the Hill” picks up not

The “Final Destination” series had been dormant for fourteen years when its home studio, Warner Bros. Discovery, decided to bring it back with “Final Destination Bloodlines,” one of the most profitable films of the year.

“The wreckage of my past is haunting me, it just won’t leave me alone,” sang Ozzy on “Road to Nowhere,” the reflective closer on his bestselling 1991 album No More Tears. It’s a standout in

In James Gunn’s “Superman,” the titular hero (David Corenswet) is joined by an astonishing number of friends and foes. There’s Krypto, the hyper-active dog that aids him in taking down enemies, and Clark Kent’s coworkers

As with many festivals, but especially Fantasia, a kind of analysis paralysis can creep in with even the most intrepid critic. What do you cover? What’s worth looking at and talking about? What can be

One month ago, Destiny Outreach launched its Dreams & Destiny® Film/TV Workforce Program – Entertainment Industry Apprenticeship Program. Since then, the program has placed 21 apprentices ages 16 to 24 into union and non-union entertainment

★★★ It’s hard not to feel for Henry Cavill on watching James Gunn’s revitalised Superman, freshly rendered, as it is, in the sort of bright hues that have proven anathema to the character since 2013.

Writer-director Amy Heckerling’s 1995 comedy “Clueless” is almost twice as old as its heroine, Beverly Hills princess Cher Horowitz (Alicia Silverstone). It’s a period piece now, which is fine, because it’s also true of its